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Realismo fotográfico : La imagen como una ventana intencional a la realidad
dc.contributor.advisor | Carbonell Fernández, Claudia | |
dc.contributor.author | Sarmiento Oviedo, María Camila | |
dc.date.accessioned | 2021-11-19T13:03:37Z | |
dc.date.available | 2021-11-19T13:03:37Z | |
dc.date.issued | 2021-07-06 | |
dc.identifier.uri | http://hdl.handle.net/10818/49215 | |
dc.description | 103 páginas | es_CO |
dc.description.abstract | La presente monografía tiene como propósito exponer y mostrar posibles soluciones a una tensión entre dos posturas ontológicas que responden a la pregunta por ¿qué es la fotografía? Por un lado, está la concepción que define la fotografía como una herramienta para mostrar el mundo, la fotografía tendría un privilegio epistemológico porque a través de las imágenes podremos obtener conocimiento del mundo. Mientras que, por otro lado, la fotografía se puede definir como una forma de arte, ya no como una herramienta que da conocimiento sino como parte del estudio hacia la estética. | es_CO |
dc.format | application/pdf | es_CO |
dc.language.iso | spa | es_CO |
dc.publisher | Universidad de La Sabana | es_CO |
dc.rights | Attribution-NonCommercial-NoDerivatives 4.0 Internacional | * |
dc.rights.uri | http://creativecommons.org/licenses/by-nc-nd/4.0/ | * |
dc.title | Realismo fotográfico : La imagen como una ventana intencional a la realidad | es_CO |
dc.type | bachelor thesis | es_CO |
dc.identifier.local | 282613 | |
dc.identifier.local | TE11343 | |
dc.type.hasVersion | publishedVersion | es_CO |
dc.rights.accessRights | openAccess | es_CO |
dc.subject.armarc | Fotografía | es_CO |
dc.subject.armarc | Ontología | es_CO |
dc.subject.armarc | Arte | es_CO |
dc.subject.armarc | Estética | es_CO |
dcterms.references | Atencia Linares, P. (2012) Fiction,Nonfiction, and DeceptivePhotographicRepresentation. The Journal of Aesthetics and Art Criticism 70 (1) (January 1): 19–30. | |
dcterms.references | Atencia Linares, P. (2013) Arts and Facts. Fiction, Nonfiction and the Photographic Medium. Thesis, UCL, University of London. | |
dcterms.references | Atencia Linares, P. (2018). “Why should we prefer the weak version of the new theory of photography”. Revista Internacional de Filosofía, vol. XXIII-Nº2 (2018), pp. 59-75. ISSN: 1136-4076 | |
dcterms.references | Barthes, R. (1980). La cámara lúcida. Buenos Aires: Paidós | |
dcterms.references | Bazin, A., & Gray, H. (1960). “The Ontology of the Photographic Image”. Film Quarterly, 13(4), 4-9. doi:10.2307/1210183 | |
dcterms.references | Bazin, André. (1967) What is Cinema? Vol. 1 Ed. Hugh Gray. Berkeley, CA: U of California. | |
dcterms.references | Benjamin, W. (1936) The Work of Art in the Age of its Technical Reproducibility(The Work of Art in the Age of Mechanical Reproduction). Selected Writings, Vol. 4, Harvard 2003. Recuperado de http://www.marxists.org/reference/subject/philosophy/works/ge/benjamin.htmSchönf lies | |
dcterms.references | Benjamin, W. (2004) Sobre la fotografía. ISBN: 8481916374, 9788481916379 | |
dcterms.references | Benjamin, W. (2008) Sobre la fotografía. (4ª ed.) Valencia. Pre-Textos. | |
dcterms.references | Carbonell, C. (2016), “Tecnologías de la comunicación y progreso del conocimiento. ¿Estímulo o rémora?”, Naturaleza y Libertad, 6: pp. 77-101 | |
dcterms.references | Costello, D & Phillips D. (2008). Automatism, Causality and Realism: Foundational Problems in the Philosophy of Photography. Philosophy Compass 4/1 (2009): 1–21, 10.1111/j.1747-9991.2008.00193.x | |
dcterms.references | Costello, D. (2012). “Automat, Automatic, Automatism: Rosalind Krauss and Stanley Cavell on Photography and the Photographically Dependent Arts”. Critical Inquiry, 38(4), 819-854. doi:10.1086/667426 | |
dcterms.references | Costello, D. (2018). On photography: A philosophical inquiry. New York: Routledge. | |
dcterms.references | Currie, G. (1999). “Visible Traces: Documentary and the Contents of Photographs”. Journal of Aesthetics and Art Criticism 57 (3): 285–297. | |
dcterms.references | Ferraris, M. (2012). Manifiesto del nuevo realismo. Ariadna Ediciones | |
dcterms.references | Flusser, V. (1990). Hacia una filosofía de fa fotografía. Mexico: Trillas: SIGMA, 1990. Traduccion de: Towards a philosophy ofphotography ISBN 968-24-4112-9 | |
dcterms.references | Fossaluzza, C. Y Verstegen, I. (2014). An Ontological Turn in the Philosophy of Photography. European Society for Aesthetics, vol. 6. | |
dcterms.references | Goodman, N. (1976). Languages of Art. Hackett Publishing Company. | |
dcterms.references | K. Lewis. (1972). Convention: A Philosophical Study. Oxford University. | |
dcterms.references | Lopes, D. (2016). Four Arts of Photography. Willey Blackwell. | |
dcterms.references | Maynard, P. (2005) The Engine of Visualization: Thinking Through Photography. Cornell University Press. | |
dcterms.references | Palermo, C. (2014). “II Automatism”. Critical Inquiry, 41(1), 167-177. doi:10.1086/678165 | |
dcterms.references | Phillips, D. (2009). “Photography and Causation: Responding to Scruton’s Scepticism”. British Journal of Aesthetics 49 (4): 327–340. | |
dcterms.references | Platón (2003). Diálogos. Volumen IV: La República. Madrid: Gredos. | |
dcterms.references | Platón. (1988). Diálogos. Volumen V: Parménides, Teeteto, Sofista, Político. Madrid: Gredos. | |
dcterms.references | Snyder,J. (1993). What happens by Itself in Photography. Pursuits of Reason Essaysin Honor of Stanley Cavell. Lubbock: Texas Tech University Press | |
dcterms.references | Scruton, R. (1981). “Photography and Representation”. Critical Inquiry, 7(3), 577-603. Recuperado de: http://www.jstor.org/stable/1343119 | |
dcterms.references | Sontag, S. (1973) Sobre la Fotografía. Madrid: Debolsillo. | |
dcterms.references | Walton, K. (1970) “Categories of Art”. The Philosophical Review 79 (3) (July 1). | |
dcterms.references | Walton, K. (1984) “Transparent Pictures: On the Nature of Photographic Realism”. Critical Inquiry 11 (2) (December 1). | |
dcterms.references | Walton, K. (1984). “Transparent Pictures: On the Nature of Photographic Realism.” Noûs, 18(1), 67-72. doi:10.2307/2215023 | |
dcterms.references | Atencia Linares, P. (2012) Fiction,Nonfiction, and DeceptivePhotographicRepresentation. The Journal of Aesthetics and Art Criticism 70 (1) (January 1): 19–30. | |
dcterms.references | Atencia Linares, P. (2013) Arts and Facts. Fiction, Nonfiction and the Photographic Medium. Thesis, UCL, University of London. | |
dcterms.references | Atencia Linares, P. (2018). “Why should we prefer the weak version of the new theory of photography”. Revista Internacional de Filosofía, vol. XXIII-Nº2 (2018), pp. 59-75. ISSN: 1136-4076 | |
dcterms.references | Barthes, R. (1980). La cámara lúcida. Buenos Aires: Paidós | |
dcterms.references | Bazin, A., & Gray, H. (1960). “The Ontology of the Photographic Image”. Film Quarterly, 13(4), 4-9. doi:10.2307/1210183 | |
dcterms.references | Bazin, André. (1967) What is Cinema? Vol. 1 Ed. Hugh Gray. Berkeley, CA: U of California. | |
dcterms.references | Benjamin, W. (1936) The Work of Art in the Age of its Technical Reproducibility(The Work of Art in the Age of Mechanical Reproduction). Selected Writings, Vol. 4, Harvard 2003. Recuperado de http://www.marxists.org/reference/subject/philosophy/works/ge/benjamin.htmSchönf lies | |
dcterms.references | Benjamin, W. (2004) Sobre la fotografía. ISBN: 8481916374, 9788481916379 | |
dcterms.references | Benjamin, W. (2008) Sobre la fotografía. (4ª ed.) Valencia. Pre-Textos. | |
dcterms.references | Carbonell, C. (2016), “Tecnologías de la comunicación y progreso del conocimiento. ¿Estímulo o rémora?”, Naturaleza y Libertad, 6: pp. 77-101 | |
dcterms.references | Costello, D & Phillips D. (2008). Automatism, Causality and Realism: Foundational Problems in the Philosophy of Photography. Philosophy Compass 4/1 (2009): 1–21, 10.1111/j.1747-9991.2008.00193.x | |
dcterms.references | Costello, D. (2012). “Automat, Automatic, Automatism: Rosalind Krauss and Stanley Cavell on Photography and the Photographically Dependent Arts”. Critical Inquiry, 38(4), 819-854. doi:10.1086/667426 | |
dcterms.references | Costello, D. (2018). On photography: A philosophical inquiry. New York: Routledge. | |
dcterms.references | Currie, G. (1999). “Visible Traces: Documentary and the Contents of Photographs”. Journal of Aesthetics and Art Criticism 57 (3): 285–297. | |
dcterms.references | Ferraris, M. (2012). Manifiesto del nuevo realismo. Ariadna Ediciones | |
dcterms.references | Flusser, V. (1990). Hacia una filosofía de fa fotografía. Mexico: Trillas: SIGMA, 1990. Traduccion de: Towards a philosophy ofphotography ISBN 968-24-4112-9 | |
dcterms.references | Fossaluzza, C. Y Verstegen, I. (2014). An Ontological Turn in the Philosophy of Photography. European Society for Aesthetics, vol. 6. | |
dcterms.references | Goodman, N. (1976). Languages of Art. Hackett Publishing Company. | |
dcterms.references | K. Lewis. (1972). Convention: A Philosophical Study. Oxford University. | |
dcterms.references | Lopes, D. (2016). Four Arts of Photography. Willey Blackwell. | |
dcterms.references | Maynard, P. (2005) The Engine of Visualization: Thinking Through Photography. Cornell University Press. | |
dcterms.references | Palermo, C. (2014). “II Automatism”. Critical Inquiry, 41(1), 167-177. doi:10.1086/678165 | |
dcterms.references | Phillips, D. (2009). “Photography and Causation: Responding to Scruton’s Scepticism”. British Journal of Aesthetics 49 (4): 327–340. | |
dcterms.references | Platón (2003). Diálogos. Volumen IV: La República. Madrid: Gredos. | |
dcterms.references | Platón. (1988). Diálogos. Volumen V: Parménides, Teeteto, Sofista, Político. Madrid: Gredos. | |
dcterms.references | Snyder,J. (1993). What happens by Itself in Photography. Pursuits of Reason Essaysin Honor of Stanley Cavell. Lubbock: Texas Tech University Press. | |
dcterms.references | Scruton, R. (1981). “Photography and Representation”. Critical Inquiry, 7(3), 577-603. Recuperado de: http://www.jstor.org/stable/1343119 | |
dcterms.references | Sontag, S. (1973) Sobre la Fotografía. Madrid: Debolsillo. | |
dcterms.references | Walton, K. (1970) “Categories of Art”. The Philosophical Review 79 (3) (July 1). | |
dcterms.references | Walton, K. (1984) “Transparent Pictures: On the Nature of Photographic Realism”. Critical Inquiry 11 (2) (December 1). | |
dcterms.references | Walton, K. (1984). “Transparent Pictures: On the Nature of Photographic Realism.” Noûs, 18(1), 67-72. doi:10.2307/2215023 | |
thesis.degree.discipline | Facultad de Filosofía y Ciencias Humanas | es_CO |
thesis.degree.level | Filosofía | es_CO |
thesis.degree.name | Filósofo | es_CO |